FAME Pays Tribute to Whitney Houston



Opinion: The Whitney Houston I knew

Rev. DeForest "Buster" Soaries is the senior pastor at First Baptist Church of Lincoln Gardens in Somerset, New Jersey. He is a former Secretary of State of New Jersey, and was featured in "Almighty Debt: A Black in America Special." Soaries was a friend of Whitney Houston's and has been close with her family for more than 40 years.
(CNN) -- The year was 1977.

All of northern New Jersey was thrilled because the world famous gospel singers, the Hawkins Family, had accepted my invitation to appear at a free, area-wide event. And they had agreed to sing with a mass gospel choir that would consist of 300 singers from churches in Newark and the vicinity.

When the choir first met to rehearse for the event, we realized someone would have to sing the lead part of the Hawkins' hit song "Changed." I turned to the choir director, who was a musician for Cissy Houston and the New Hope Baptist Church of Newark, and asked "Where's Nippy?" He immediately summoned the teenager who had accompanied him to the rehearsal - 14-year-old Whitney "Nippy" Houston.

By the time Whitney finished singing the song, the rehearsal had been completely changed -- dismantled and turned into a kind of "praisefest" and revival service. This child had invoked a level of divine inspiration that involved the kind of joyous tears and emotional shouts that were characteristic of the black religious experience. Not only did Whitney's singing completely transform the atmosphere, but it was clear to everyone in that rehearsal that they were in the presence of an unusual talent and that they were eyewitnesses to a superstar taxiing on the runway of success and fame.

Of course this scene was not unique. It happened Sunday after Sunday in any church where Whitney sang. It would happen during weeknights when Whitney's mother Cissy Houston, and her aunt Anne Drinkard, would rehearse with their own choirs in their church. I remember many times sneaking into New Hope Church during one of their choir rehearsals hoping to get just a slice of the newest musical meal being cooked by this young vocal prodigy. After Whitney sang one Sunday afternoon at Revival Temple church for one of those choir marathons (it was actually a choir anniversary celebration), the pastor, the late Bishop Jeff Banks, told all of us in attendance, "nobody that young [16] should be able to sing like that. It should be illegal." Bishop Banks himself was a professional gospel music recording artist.

Whitney's father, John Houston, was a part of the political movement that produced Newark, New Jersey's first African American mayor in 1970, Kenneth Gibson. She inherited from both of her parents a keen but little known interest in, and passion for, issues, projects and people that improved the plight of blacks and other disadvantaged populations. This is why she was so honored to meet and develop a relationship with South African leader Nelson Mandela. Whenever we spoke over the years, Whitney always took an interest in discussing whatever community project I was working on and she herself was determined to make a difference in people's lives. She supported many local groups financially-- almost always anonymously. She also gave help to some local politicians.

Despite the fact that Whitney attended a prestigious Catholic High School, genuinely cared about the disadvantaged and had an angelic voice, she was no angel. But none of us are angels nor do we know an angel. And since she did not have the luxury of dancing with her demons in private, as most of us do, her un-angelic traits are all too familiar. It would be a real tragedy to allow her flaws to become her legacy.

Cameras did not appear the night that she called me distraught because her best friend's mother died and the woman needed the assistance of a minister. Whitney recommended me to help her friend through the grief and do the eulogy at the funeral. That is the caring Whitney that I knew.

Only those who were present at her cousin Dee Dee Warwick's funeral in 2008 will understand how moving it was to see this global superstar leave her seat at the end of the service and join the choir in singing "The Lord is My Shepherd." After I delivered the eulogy, Whitney approached me and thanked me for my message. At the cemetery she held my arm and promised to get in touch with me soon -- just to talk.

The talk never happened. That was my last conversation with Whitney.

Whitney Houston was a superstar whose human qualities far outnumbered her well-known struggles. As I write this I'm reminded of a very anxious, very animated, teenaged Whitney leaning over a table at a McDonald's in East Orange, New Jersey. She was frustrated by, but cooperative with, her parents' unwillingness to allow her professional music career to commence too quickly. She began naming the artists whose careers were rising and who she knew she could match vocally.

I assured her that her parents, John and Cissy, knew what they were doing. I also remember telling her that when she did "come out," the world would recognize what all of her friends already knew - she was a voice that would never be ignored and will never be forgotten.

The opinions expressed are solely those of Rev. DeForest B. Soaries Jr.


Whitney Houston, Superstar of Records, Films, Dies

By NEKESA MUMBI MOODY AP Music Writer
LOS ANGELES February 12, 2012 (AP)

Whitney Houston, who reigned as pop music's queen until her majestic voice and regal image were ravaged by drug use, erratic behavior and a tumultuous marriage to singer Bobby Brown, has died. She was 48.

Publicist Kristen Foster said Saturday that the singer had died, but the cause and the location of her death were unknown.

At her peak, Houston the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world's best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.

Her success carried her beyond music to movies, where she starred in hits like "The Bodyguard" and "Waiting to Exhale."

She had the he perfect voice, and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.

She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.

But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.

"The biggest devil is me. I'm either my best friend or my worst enemy," Houston told ABC's Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.

It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.

She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.

Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.

"The time that I first saw her singing in her mother's act in a club ... it was such a stunning impact," Davis told "Good Morning America."

"To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine," he added.

Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with "Whitney Houston," which sold millions and spawned hit after hit. "Saving All My Love for You" brought her her first Grammy, for best female pop vocal. "How Will I Know," ''You Give Good Love" and "The Greatest Love of All" also became hit singles.

Another multiplatinum album, "Whitney," came out in 1987 and included hits like "Where Do Broken Hearts Go" and "I Wanna Dance With Somebody."

The New York Times wrote that Houston "possesses one of her generation's most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity."